Buenos Aires, December 24 (NA) – The judicial and media conflict between Luciana Salazar and Martín Redrado has reached a decisive chapter following the release of a series of audio recordings that are now part of the case file. The recordings expose, without filters, the dynamic they maintained for years concerning Matilda.
According to information from the Argentine News Agency (NA) via Lape Club Social, the recordings first feature a secretary of Redrado coordinating payments related to the girl's schooling. In this audio, the collaborator explains that he attempted to make the corresponding transfer to the school, but the operation was rejected due to incomplete bank details. He details that only the account number was listed, not the CBU (Unique Bank Code), and that in previous months he had even had to go to a bank branch in person to complete the payment.
“Martín asked me if I had done it, I told him I had, but the transfer comes back to me rejected. If you are going to back down, back down with others, not with us,” she is heard saying, before remarking that her daughter already has a figure who loves her deeply and would give her life for her.
The harshest moment of the exchange arrives when Salazar launches a direct, no-nonsense phrase: “The problem is you, not your children, not your girlfriend. It's you.”
In another passage, Redrado says: “This is said by a person who was by your side for eight years and suffered it.”
In that passage, Redrado again shows himself without a confrontational response, which reinforces the reading that the bond was already completely broken.
Finally, these audio recordings reflect that at different times, Redrado acknowledged having “taken charge” of certain expenses and processes related to Matilda, although today he denies that role and maintains that any commitment was assumed under pressure.
“I am calling the school, I sent emails, I need the CBU,” the secretary is heard saying, who emphasizes that the management was done at Redrado's direct request.
The tension escalates in a second segment of the recordings, where the exchange no longer revolves around administrative issues but emotional ones. There, the model expresses with rawness her position on the place Redrado occupied in her daughter's life:
“My daughter is not someone to hide.”
In that same dialogue, Luciana makes a direct comparison with Redrado's other children and launches a complaint that exposes her pain:
“Why with some yes and with others no?”
